Metanoia, a two-person exhibition created by Ajani Tucker and Charles Harrop-Griffiths, opened on November 7th, 2025. Metanoia is an exploration of what constitutes the “real.” Bringing together two artists whose practices move fluidly between digital and physical spaces, the exhibition examines how art is rendered, translated, and transformed across mediums. Both Tucker and Harrop-Griffiths interrogate how digital aesthetics and processes shape our perception of material reality, and how the act of making itself becomes a negotiation between virtual and tangible forms.
Click here to read the press release for the exhibition.
Ajani Tucker (b. 1997, Bermuda), a Graphic Designer and 3D Artist, creates work that lives at the intersection of digital art, animation, and material experimentation. Known for his dynamic and vividly coloured compositions, Tucker’s new body of work makes the idea of the digital canvas material—expanding it beyond two dimensions into sculptural and painted forms. Through a combination of 2D works, 3D constructions, and hybrid painted objects, Tucker translates the digital language of rendering into physical form. For Metanoia, he also presents a major new interactive installation expanding upon his earlier work All Systems Go, transforming it into an immersive, participatory experience that continues his exploration of motion, texture, and perception.
Charles Harrop-Griffiths (b. 1991, London, UK), is a multidisciplinary contemporary artist whose work spans etching, painting, photography, virtual reality, and sculpture. With a background in architecture, film, and software development, Harrop-Griffiths explores how technology, history, and nature collide within contemporary society. His series NEXUS_001–004 (2025), comprising four modular engravings on aluminum and vinyl, meditates on reconstruction—how fragments, ideas, and experiences can be drawn together and accepted for what they are. NEXUS invites viewers to consider growth as something built through intersection, where differing influences coexist rather than compete.
The exhibition was on display from November 7th - December 2nd, 2025